ProFM Broadcast | Angry Audio

Angry Audio Chameleon C-Level Audio Level Processor

$1 208.81

Angry Audio Chameleon C-Level Audio Level Processor

Maximize OTA processor efficiency with C-Level pre-processor. Ensure consistent output between mixing console and transmitter. Protect STL from overload. Tested with positive outcomes.

Description

Angry Audio Chameleon C-Level Audio Level Processor

Want to make your station sound better? Of course you do. But a brand new processor might set you back ten large or more. No worries! You can make your existing processor sound dramatically better by feeding it with a Chameleon C-LEVEL audio leveling processor.
Use C-LEVEL as a pre-processor. Insert it between the mixing console and the OTA (over the air) processor and prepare to be amazed. It’s like having the perfect board operator getting all the elements exactly right every second of every show. C-LEVEL outputs a consistent -24LUFS signal which will always keep your OTA processor operating in its sweet spot.
While every OTA processor we’ve tried sounds better with C-LEVEL, some are just shockingly good. The most dramatic improvements could be heard on OTA processors in the modest price range. For example, when an Omnia VOLT was paired with C-LEVEL, the VOLT became an entirely different box, surprisingly competitive with processors costing 2-3 times more. Of course, C-LEVEL makes expensive processors sound better too!

Like all Chameleon processors, C-LEVEL adapts to the incoming audio. All processing parameters are controlled dynamically by our Chameleon expert software. Not only does this eliminate the complexity associated with other audio processors, but more importantly, it delivers the most transparent, natural sounding audio you’ve ever heard.
If your OTA processor is at the transmitter site, put C-LEVEL on the studio side of your STL. This will protect your STL from overload. Another great application for C-LEVEL is as a distribution processor for syndicated programming. You know the affiliates will all have OTA processing. Feed them pre-processed audio so your shows always sound their best on every station.

Specifications.
Part Numbers
North America: p/n# 991037
Australia: p/n# 991037A
Europe: p/n# 991037E
United Kingdom: p/n# 991037U
Included in the box: Chameleon C-LEVEL Processing Gadget
Pocket trimpot adjustment tool
Connections
Analog Input: Balanced +4dBu Stereo XLRF connectors
Balanced +4dBu Stereo RJ45F connector
(StudioHub+ pinout)
Analog Through: Parallel to Analog Input (StudioHub+)
Analog Output: Balanced +4dBu Stereo XLRM connectors
Balanced +4dBu Stereo RJ45F connector
(StudioHub+ includes ±15VDC)
Digital Input: Transformer isolated, AES/EBU, RJ45F connector
(StudioHub+) ASRC, 44.1kHz to 48kHz sampling rate
Digital Output: Transformer isolated, AES/EBU, 48kHz S/R,
RJ45F connector (StudioHub+)
Power and Environmental
Power Input: 115VAC 50/60Hz (North America Version)
230VAC 50/60Hz (Australia, Europe, U.K Versions
Power Consumption: 15VA
Operating Temp.: 0° to 40° C (32° to 104° F)
Storage Temp.: -20° to 45° C (-4° to 113° F)
Relative Humidity: 0% to 90% non-condensing
Cooling: Venting chassis (fanless)
Product Dimensions
Product Dimensions: 8.5 x 6.25 x 1.7 inches (21.6 x 16 x 4.32 cm)
Product Weight: 3.5 pounds (1.59 kg)
Shipping Weight & Dimensions
Shipping Dimensions: 12 x 9 x 6 inches (30.5 x 22.9 x 15.3 cm)
Shipping Weight: 5 pounds (2.27 kg)

Description

Angry Audio Chameleon C-Level Audio Level Processor

Want to make your station sound better? Of course you do. But a brand new processor might set you back ten large or more. No worries! You can make your existing processor sound dramatically better by feeding it with a Chameleon C-LEVEL audio leveling processor.
Use C-LEVEL as a pre-processor. Insert it between the mixing console and the OTA (over the air) processor and prepare to be amazed. It’s like having the perfect board operator getting all the elements exactly right every second of every show. C-LEVEL outputs a consistent -24LUFS signal which will always keep your OTA processor operating in its sweet spot.
While every OTA processor we’ve tried sounds better with C-LEVEL, some are just shockingly good. The most dramatic improvements could be heard on OTA processors in the modest price range. For example, when an Omnia VOLT was paired with C-LEVEL, the VOLT became an entirely different box, surprisingly competitive with processors costing 2-3 times more. Of course, C-LEVEL makes expensive processors sound better too!

Like all Chameleon processors, C-LEVEL adapts to the incoming audio. All processing parameters are controlled dynamically by our Chameleon expert software. Not only does this eliminate the complexity associated with other audio processors, but more importantly, it delivers the most transparent, natural sounding audio you’ve ever heard.
If your OTA processor is at the transmitter site, put C-LEVEL on the studio side of your STL. This will protect your STL from overload. Another great application for C-LEVEL is as a distribution processor for syndicated programming. You know the affiliates will all have OTA processing. Feed them pre-processed audio so your shows always sound their best on every station.

Specifications

Specifications.
Part Numbers
North America: p/n# 991037
Australia: p/n# 991037A
Europe: p/n# 991037E
United Kingdom: p/n# 991037U
Included in the box: Chameleon C-LEVEL Processing Gadget
Pocket trimpot adjustment tool
Connections
Analog Input: Balanced +4dBu Stereo XLRF connectors
Balanced +4dBu Stereo RJ45F connector
(StudioHub+ pinout)
Analog Through: Parallel to Analog Input (StudioHub+)
Analog Output: Balanced +4dBu Stereo XLRM connectors
Balanced +4dBu Stereo RJ45F connector
(StudioHub+ includes ±15VDC)
Digital Input: Transformer isolated, AES/EBU, RJ45F connector
(StudioHub+) ASRC, 44.1kHz to 48kHz sampling rate
Digital Output: Transformer isolated, AES/EBU, 48kHz S/R,
RJ45F connector (StudioHub+)
Power and Environmental
Power Input: 115VAC 50/60Hz (North America Version)
230VAC 50/60Hz (Australia, Europe, U.K Versions
Power Consumption: 15VA
Operating Temp.: 0° to 40° C (32° to 104° F)
Storage Temp.: -20° to 45° C (-4° to 113° F)
Relative Humidity: 0% to 90% non-condensing
Cooling: Venting chassis (fanless)
Product Dimensions
Product Dimensions: 8.5 x 6.25 x 1.7 inches (21.6 x 16 x 4.32 cm)
Product Weight: 3.5 pounds (1.59 kg)
Shipping Weight & Dimensions
Shipping Dimensions: 12 x 9 x 6 inches (30.5 x 22.9 x 15.3 cm)
Shipping Weight: 5 pounds (2.27 kg)

Additional information

Weight 2.5 kg
Dimensions 31 × 23 × 16 cm

Brand

Angry Audio

Angry Audio

ProFM Broadcast | Angry AudioAdmit it… you love radio. Over-the-air or internet, live or podcast; it doesn’t matter. Getting radio content to your audience is both thrill and challenge. Oh, you’ve sweat a lot from hard work and worry. And come up with clever solutions that would make MacGyver envious. And all the weekends and holidays you’ve sacrificed… if that’s not love, what is it? I love radio too. I spent the last 25 years designing and building studio products – mostly mixing consoles – for PR&E, Telos, Axia and Lawo. If you’re in radio, you’ve likely encountered my designs. Along the way I’ve visited your studios. Heard your war-stories. Learned a lot. And in all those stories there’s one takeaway: details matter. Sure, we usually pay the most attention to the big-ticket gear, like consoles, transmitters and processors. But have you ever noticed that you can spend a disproportionate amount of time trying to figure out answers to small problems those big products don’t solve? Problems that escalate fast when left unaddressed. Maybe you just need an extra input for a smartphone. Or an automated way to handle an emergency alert. A custom mix to record phone calls. An amplifier for a long cable. Maybe you’re chasing ground-loop hum, or trying to make a PC sound card sound better. Like you, I sweat the details. That’s why I started Angry Audio: to make products that solve these nagging problems. Products that allow you to build systems that do what you want, the way you want. Our products – we call them audio gadgets – are each laser-focused on addressing one or two details. They are inexpensive and easy to use. And, because radio can be rough, they’re damned near indestructible too. I have to confess: I am a bit of a fanatic for sound quality. Our audio gadgets all deliver the kind of transparent audio performance you’d expect to find in the most discerning recording studio. Some have told me this is overkill for radio. I disagree. The tools you use to create and deliver compelling radio should be just as sharp as those used to master music. One last thing: please bookmark our site, and visit us often. We have more than a dozen gadgets in development and will be launching new ones every few months. Sooner or later, we’re going to launch a gadget that solves a nagging problem for you. Which might just help you get home for dinner on time for a change. You gotta love that. Michael “Catfish” Dosch Angry Audio
ProFM Broadcast | Angry Audio